- It started way back with the iconic 4000 series, and professional studios the world over continue to use SSL consoles for tracking, mixing and mastering. Whether it's the premium Duality δelta or mid format AWS δelta analogue consoles, with built in DAW control and delta-Control automation, or the new ORIGIN pure analogue console, we make.
- Skye then discusses working with Logic's mixer: controlling signal flow, working with plugins, and using sends and returns, groups, and the master output. Next, Skye dives into mixing a song, covering balance, equalization (EQ), dynamics and compression, reverb and delay, automation, and bouncing down the mix.
- Hi, new to recording. Is there a way to check and make sure all the instruments (guitar/bass/keys) coming into Logic through my mixing board are ok/loud enough? Between the Gain, Master and individual faders all at different settings, I need to know my levels are objectively ok or decent enough to pass onto a mixing/master engineer when I'm.
- I am using a mackie mixer and two mackie powered speaks. Mostly i am doing dj events and karaoke. Is it best to pair two Altos, using two.one from main out and one to speaks, meaning Ill need 4 Alto units, or to only run three, one from the mixer and one per speaker?
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1. Gain Staging
If you know me, you know I am hot (pun excused) on the issue of Gain Staging. Overly literal audio engineers will tell you how it isn't needed in digital, which is true until you use an compressor or any analogue-modelling plugin! Best audio production software for mac.
Solid State Logic Mixing Board
But the benefits go beyond those of a technical nature, it's also a matter of workflow and understanding how signal flow can drastically affect the behaviour of your plugins and how you use them.
Here is an article I wrote before about Gain Staging in Logic Pro X Auto clicker multiple click points.
2. Balancing
This is the key to mixing. The very quality of the mix is predicated on how well balanced the elements are in the sound stage. One of my favourite pieces of advice is to watch the stage!
The sound stage is a 3 dimensional place. The last one app. Your goal is to make sure you position the elements in the stage for the benefit of the mix as a whole. NOT for the benefit of the individual track.
Once you've got your gain staging down, simply listen to what's there, work the faders, and focus solely on balance. Fight the urge to dive straight into plugins and use them only to resolve issues that arise when balancing elements.
Logic Mixing Board With Focusrite 40
Mixing IS balancing. Driver webcam leadership 3810.
3. Panning
This is the natural next step after fader work. Panning is one of your best allies in the mix process. Autodesk autocad mac os. Again, think carefully about your sound stage and pan your tracks in a way that best compliments the mix as a whole.
Having said that, it really helps to understand the psychoacoustic nature of stereophonic sound. Here is an article I wrote to help you understand stereo and the way our brain decodes that information.
4. Bussing
Personally, I like to make my life as simple as possible. But also, simplicity is something I feel is highly undervalued in audio today. Bussing can help us here. Try routing all instrument groups early on in the process to simplify your thinking and to enable you to work holistically when mixing, as opposed to diving into too much detail too early.
The easiest way to do this in Logic Pro X is to use Summing Track Stacks.
Logic Mixing Board
5. Committing
The sound stage is a 3 dimensional place. The last one app. Your goal is to make sure you position the elements in the stage for the benefit of the mix as a whole. NOT for the benefit of the individual track.
Once you've got your gain staging down, simply listen to what's there, work the faders, and focus solely on balance. Fight the urge to dive straight into plugins and use them only to resolve issues that arise when balancing elements.
Logic Mixing Board With Focusrite 40
Mixing IS balancing. Driver webcam leadership 3810.
3. Panning
This is the natural next step after fader work. Panning is one of your best allies in the mix process. Autodesk autocad mac os. Again, think carefully about your sound stage and pan your tracks in a way that best compliments the mix as a whole.
Having said that, it really helps to understand the psychoacoustic nature of stereophonic sound. Here is an article I wrote to help you understand stereo and the way our brain decodes that information.
4. Bussing
Personally, I like to make my life as simple as possible. But also, simplicity is something I feel is highly undervalued in audio today. Bussing can help us here. Try routing all instrument groups early on in the process to simplify your thinking and to enable you to work holistically when mixing, as opposed to diving into too much detail too early.
The easiest way to do this in Logic Pro X is to use Summing Track Stacks.
Logic Mixing Board
5. Committing
This is the big one. That moment when you start doing things for the sake of it, adding candy here and there without any real purpose. This is the moment where you need to just commit and bounce. Come back to the printed mix the next day and listen with a fresh perspective. No distracting project lanes and plugins, just listen. Take notes and execute on them.
